Unlocking Creativity and Learning through Project-Based Art
For young children, for whom so much knowledge is new and exciting and so many physical and mental skills have to be acquired, the need for exploration, experimentation, and play is even more important. That is a quote from one of my favorite Author and early years consultant Margaret Edgington
An important development occurs when children deliberately use and combine materials to create something they have seen or imagined. Project-based art is one of the strategies to help children achieve their learning journey.
Art projects aren’t just about decorating cut-out shapes or coloring within the lines. When facilitated thoughtfully, the process of creating art builds critical developmental skills in young children.
What is Project-based Art
As I am passionate about holistic approaches to learning, over the years I have very much enjoyed implementing project-based art in my early-year teachings. And I am here to share some of my experiences with you.
A project-based art in early learning development refers to art activities or projects that are designed to promote learning and development in young children over a course of time.
The interesting part is that you incorporate curriculums like Reggio Emilia into it. My daughter has been doing project-based art since she was six months old.
The open-ended nature of art projects allows children to naturally direct the experience based on their developing interests and abilities
This approach is centered around the process of creating art, rather than the end product. The focus is on the experience, exploration, and experimentation with art materials.
What are the Benefits of Project-based Art?
Projects encourage creativity, self-expression, and problem-solving as children figure out how to use materials and try out their own ideas.
They incorporate open-ended art activities that allow children to work at their own level and ability. This includes activities like painting, drawing, sculpting with clay, and exploring other sensory materials.
Projects are designed to help children develop skills across domains including fine motor skills, cognitive skills, language/literacy, social-emotional skills, and general knowledge.
Teachers/caregivers guide the process and facilitate learning, but allow children to take the lead and direct the experience based on their interests.
Projects can be individual or collaborative, last for a single session or be expanded over days/weeks as the child pursues an idea. Documentation panels can capture the process.
Setting the Stage for Art Exploration
How do we help facilitate a project-based art?
The key is to start with designating an art area for open-ended exploration daily. Include a variety of tools and materials including paint, clay, collage scraps, markers, glue, tape, scissors, etc.
Introduce children to 2-3 media/tools at a time. Demonstrate possibilities without prescribing outcomes to spark intrinsic motivation.
Observe each child’s developing approach. Ask open-ended questions, make thought-provoking suggestions, and encourage persistence.
Document the process with photos, videos, written observations, and children’s own artwork. These will anchor reflective discussions.
Keep finished pieces for a class exhibit or student portfolio highlighting the depth of learning. Display the documentation to showcase the process.
Return to the project over days or weeks as desired, expanding on emergent themes. Projects can spark related inquiries across subject areas.
Support children’s role as peer mentors by encouraging collaboration and meaning-making together.
By facilitating project-based art explorations, we empower children to drive their own creative growth while developing skills critical for the 21st century. The journey is as meaningful as the destination!
Where To Draw Inspiration?
Active learning curriculums
I have always used The Reggio approach to provide access to a wide variety of materials for inquiry and expression and used open-ended art spaces to allow mix media.
Reggio learning is centered around long-term, collaborative investigations. Likewise, art projects can expand over days, weeks, and months as a child pursues an idea.
The Reggio model, projects emerge from the interests and initiatives of each child. Similarly, art projects allow children to actively construct their own learning.
Nature and Our Environment as Inspiration
Using nature as inspiration for art comes naturally to young children. Providing opportunities for outdoor sensory exploration and bringing natural items into the classroom breathes life into their artistic endeavors.
They may use sticks, flowers, rocks, leaves, pinecones and other natural loose parts to print, paint, and even stick the material itself. Sometimes they may observe and replicate patterns from nature in their drawings. Other times nature inspires more symbolic representations or fuels their imagination.
Famous Art Works and Influential Artists
As children learn about influential artists that inspire emotion and imagination like Van Gogh, Monet, O’Keefe, Picasso and others, they assimilate new visual styles into their own expressions. Recreating famous artworks helps appreciate technique and fuels the genesis of new visions. Exploring varied artists nurtures original perspectives, cultural awareness, and timeless communication via art.
Kandinsky Inspired Collaborative Shapes Abstract Art By 4 Year- Old Students
Pollock Inspired Drip Abstract Art Done by Children from Ages 2-5
Here are some examples of open-ended questions you can ask
Process/Technique Questions
What made you decide to use those colors/materials for this part of your art?
I noticed you chose a thicker paintbrush this time. How does that change the way the paint goes on compared to a thinner brush?
How does the clay/dough feel as you roll it between your hands? What changes as you add more water?
Thinking Skills Questions
What is your next step going to be with your art project? How did you decide?
What would happen if mixed different colors? different shades?
Feelings/Reactions Questions
I can see you have been working hard adding lots of detail to your art – How do you feel about your work?
What do you think other children will find interesting about this part?
How does this color make you feel when you look at it? Do you think its a sad color or a happy color?
Socio-Emotional and Therapeutic Benefits
Promotes Self-Expression & Emotion Processing
Open-ended art allows children to freely express inner thoughts, feelings, experiences, and emotions through visual symbols and creative choice-making. This helps them process joy, frustration, fear, anger, etc healthily. The teacher facilitates discussion and validation of their emotions as depicted through the art.
Builds Confidence & Resilience
As children envision what they wish to create and persist through challenges to complete their project, they build creative confidence and resilience. Taking risks, problem-solving, and directing the outcome bolsters independence and self-esteem. Celebrating mistakes and iterations as part of the artistic process helps normalize failure.
Enhances Relationships & Social Skills
Collaborating on group art projects requires communication, compromise, and learning from diverse perspectives. Negotiating roles and responsibilities builds empathy and community. Even in individual projects, discussing work and giving feedback promotes active listening, expressing thoughts, and respecting others.
More Gallery of My Student Creativity Through the Years
In summary, project-based art promotes creative self-directed learning through meaningful hands-on art experiences tailored to early childhood development and interests.
As a caregiver/educator, few joys compare to witnessing the awe-inspiring creativity and self-directed learning unfolding before you as children dive into an art activity. Stepping back as they independently problem-solve through conceptual, technical, and collaborative challenges allows them to build confidence in their developing abilities.
C.S Lewis and the Depth of The Chronicles of Narnia
We have all grown up reading the magical fantasy adventure book series of The Chronicles of Narnia.
C.S. Lewis was an immensely popular writer who left a profound legacy through his children’s fantasy works and Christian writings. His Narnia series established him as one of the most influential authors of fantasy literature.
Before you keep on reading I do have a spoiler alert if you have never read them.
C.S. Lewis tells the stories of various children who visit the magical land of Narnia, where they have adventures with talking animals, mythical creatures, and the lion Aslan, who is the true king and creator of Narnia.
Lewis draws inspiration from Greek and Roman mythology, fairy tales, Arthurian legends, and British and Irish folklore. The books explore themes such as courage, loyalty, friendship, faith, sacrifice, and redemption. You know the ultimate good versus evil battle.
The one thing I didn’t know was how it was inspired by Christian allegories.
So while the books don’t explicitly mention Christianity, Lewis wove clear biblical parallels and archetypes into the stories.
Here are some of the main ways the books allegorize Christian themes:
Aslan the lion is seen as a Christ-figure. He sacrifices himself to save Edmund, rises again, and triumphs over evil, paralleling Jesus’ crucifixion and resurrection.
The story of the children entering Narnia through the wardrobe is seen as symbolizing humans entering the kingdom of heaven.
The White Witch represents sin, temptation, and Satan trying to rule Narnia through her magical power. Aslan’s victory over her represents Christ’s victory over sin and death.
One of the beautiful things about the Chronicles of Narnia is that they can be enjoyed on different levels by readers of various backgrounds and ages.
As a teenager, even though I didn’t know that specific word Portal Fantasy I understood the subgene in that way.
Portal fantasy is a subgenre of fantasy fiction that involves traveling from one world to another through a portal, such as a door, a wardrobe, a painting, or a hole in the ground. The portal usually connects the real world (or a version of it) with a fantastical world, where magic, mythical creatures, and adventure await. The characters who enter the portal often have to complete a quest, face a challenge, or learn a lesson in the other world.
How I understood it was as four siblings going through the traumatic experience of a world war and being separated from their parents. They found solace in their active imagination and created another world. It’s in the later books I started believing maybe Narnia is an actual place. How else will I explain that the old professor named Digory Kirke whom they stayed with was one of the first visitors to Narnia as a child?
Where did C.S Lewis get his inspiration for The Narnia series?
C.S. Lewis came up with the idea for Narnia from various sources of inspiration in his life, such as his childhood imagination, his love of literature, his Christian faith, and his experiences during the war. Here are some of the main influences that shaped his vision of Narnia
An image of a faun carrying an umbrella and parcels in a snowy wood. Lewis said that this image came to his mind when he was 16 years old, and stayed with him for many years, until he decided to write a story around it. This image became the opening scene of The Lion, the Witch and the Wardrobe, where Lucy meets Mr. Tumnus.
Narnia: Map of Narnia (Aslan version) by EverydayHeroesComics
Artwork found hereEverydayHeroesComics
The name of Narnia, which he borrowed from an Italian town called Narni. Lewis saw the name on a map in an atlas and liked the sound of it. He also learned that Narni was the birthplace of a Roman emperor named Nerva, who was known for his justice and kindness.
Children stayed at his house during the Second World War. Lewis hosted several groups of children who were evacuated from London to escape the bombing. He enjoyed their company and entertained them with stories and games. He also had a wardrobe in his house, which he used as a prop for his stories. He later dedicated The Lion, the Witch and the Wardrobe to one of the children, Lucy Barfield.
More Spoiler Alert
'The Last Battle' Debacle
So, the battle in Narnia is the last stand of King Tirian and his loyal followers against the Calormenes and the false Aslan, who have invaded and corrupted the land. The battle ends with the destruction of Narnia and the appearance of the real Aslan.
Narnia does end and all characters “die”, but the afterlife shows them continuing to live in Aslan’s paradise, which is the “real” eternal Narnia.
The train station scene in The Last Battle is one of the most controversial and debated parts of the Chronicles of Narnia. It is the scene where the main characters of the series, except Susan, die in a train crash in England and enter the new Narnia, which is Aslan’s country and a representation of heaven.
Lewis seemed to be conveying faith, redemption, spiritual reality, and the afterlife. It’s a heavy conclusion for a children’s fantasy series but speaks to the skill and vision Lewis had as a storyteller that he could end on such a powerful allegorical note.
Susan Pevensie : The lost Queen of Narnia
Susan is born in 1928 and is 12 years old when she appears in The Lion, the Witch and the Wardrobe. By The Last Battle, she is 21 years old, as the final novel takes place.
Susan is a sympathetic and relatable character, who has faced many challenges and changes in her life. She has always been good.
Yes, peter was older than her he was the firstborn of the Pevensies, but Susan had always wanted to be grown up, she had always been traditionally feminine. She is even called ‘Susan the gentle’.
I think Susan lost her way because she was confused and conflicted about who she was and what she wanted. She had grown up in Narnia, where she was a queen and a friend of Aslan, but she also had to return to England, where she was a normal girl and a student.
She had to adapt to two different worlds, and two different stages of life. She had to deal with the pressures and expectations of society, and the temptations and distractions of the world.
Yes, she tried to be normal and mature, but she also lost her innocence and joy.
Despite all that, I still to this day do not understand why Lewis chose to leave her out. She could have joined Aslan and all of the others in eternal Narnia.
I think that Susan still had a chance to redeem herself and to reunite with her loved ones. I think that Aslan still loved her and cared for her and that he would not give up on her. Susan still had a spark of Narnia and Aslan in her heart, and that she could rekindle it.
In his Companion to Narnia, Paul F. Ford writes at the end of the entry for Susan Pevensie that “Susan’s is one of the most important Unfinished Tales of The Chronicles of Narnia.”
All of the books in the chronicle were amazing. Lewis was a masterful writer, he achieved timeless multilayered stories. It’s clear these children’s fantasy tales have stood the test of time and can be appreciated on many levels.